What the
artist hears.

For me, good monitor mixes are built on trust. The technical side matters, but so does understanding how an artist works.

Touring since 2011 has taken me from small rooms and muddy festival fields to arenas and stadiums around the world. I like building mixes that feel musical and personal, using tools such as DiGiCo, KLANG and Fourier Audio in service of the performance — never the other way around.

These days, I put just as much thought into how we work as the work itself. Touring is demanding, and I’m a strong advocate for looking after yourself and the people around you. Doing the job well also means finding a way to do it sustainably.

I want Live Sound to be easier to get into and kinder to stay in. I’m always happy to share what I’ve learned along the way and help others find their feet.